Search for contacts, projects,
courses and publications

High Culture and Low in the Modern Arts

People

Pedretti B.

Course director

Description

Among the most important phenomena of modernity is the blurring of the sharp distinction between high culture and popular culture that for centuries supported the system of the arts. Faced with a growing “aesthetic democracy” of the bourgeois world, high art has to respond to a public that no longer coincides with the exclusive upper classes, which traditionally commissioned works by artists, architects, and writers. While modernism and the avant-gardes claimed an independence that refused to make concessions to the public’s imagination, the artistic languages (historicism, kitsch, pop, postmodernism...) spread various forms of hybridisation between high culture and a culture that began as “low” and has progressively become mass culture. The course explores these artistic languages.

Objectives

To prepare for professional work that is attentive to contemporary aesthetics.

Teaching mode

In presence

Learning methods

100% Lectures

Examination information

Oral during the exam session

Education