Graduated in Foreign Languages and Literature (artistic and literary track) in Milan and in Italian language, literature and culture at the Institute of Italian Studies at USI (Alma Bacciarini Prize). She gained her PhD at the USI. She held a post-doctoral fellowship from the Swiss National Science Foundation (SNSF) at the Kunsthistorisches Institut in Florenz (KHI, Max-Planck-Institut) and is a member of IAWIS/AIERTI (International Association of Word and Image Studies). She has worked on the poetic production of Charles Olson, on Lalla Romano's photo-texts, on the literary and filmic oeuvre of Marguerite Duras, Pier Paolo Pasolini and Andrej Tarkovskij, as well as on the writings and works of art of the photographer Luigi Ghirri and the artist Claudio Parmiggiani. She has also been working on translation of poetry, notably of authors such as Robert Creeley and Paul Blackburn. She is a contributor to "Antinomie. Scritture e immagini" (www.antinomie.it).
Her research interests focus primarily on the links between the visual arts, literature and philosophy, with a particular attention on time and space related issues.
She is the author of critical studies (En suspens. Scenari di tempo. Marguerite Duras, Claudio Parmiggiani, Luigi Ghirri, preface by Antonella Anedda, corsiero editore, Reggio Emilia 2018) and literary texts (Come, postface by Fabio Pusterla, Cronopio, Napoli 2018).